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Alma-Tadema, Sir Lawrence Faun and Bacchant (mk23) oil painting


Faun and Bacchant (mk23)
Painting ID::  22975
Alma-Tadema, Sir Lawrence
Faun and Bacchant (mk23)
Roman Wall Painting from the House of the Dioscuri Pompeii,1st century AD Archaeological Museum,Naples

   
   
     

Alma-Tadema, Sir Lawrence Faun and Bacchant (mk23) oil painting


Faun and Bacchant (mk23)
Painting ID::  22976
Alma-Tadema, Sir Lawrence
Faun and Bacchant (mk23)
Roman Wall Painting from the House of the Dioscuri,Pompeii,1st century AD Archaeological Museum,Naples

   
   
     

Alma-Tadema, Sir Lawrence The Coliseum (mk23) oil painting


The Coliseum (mk23)
Painting ID::  22977
Alma-Tadema, Sir Lawrence
The Coliseum (mk23)
1896 Oil on wood 112 x 73.6 cm(44 1/8 x 29 in) Private collection

   
   
     

Alma-Tadema, Sir Lawrence Simeon Solomon (mk23) oil painting


Simeon Solomon (mk23)
Painting ID::  22978
Alma-Tadema, Sir Lawrence
Simeon Solomon (mk23)
Habet 1865 Oil on canvas,122 x 101.5 cm(48 x 40 in) Private collection

   
   
     

Alma-Tadema, Sir Lawrence Love's Jewelled Fetter (mk23) oil painting


Love's Jewelled Fetter (mk23)
Painting ID::  22979
Alma-Tadema, Sir Lawrence
Love's Jewelled Fetter (mk23)
1895 Oil on canvas.63.5 x 46.1 cm(25 x 18 1/8 in) Private collection

   
   
     

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     Alma-Tadema, Sir Lawrence
     b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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     | Fedor Vasilyev | Palma il Vecchio | DUMOUSTIER, Pierre |


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